Page 10 - ACCENT Nov 10
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10 ACCENT Special Edition - November 2010
Line 6 POD Studio KB37 Controller ü Secondary
USB powered with audio, amp modelling and more ü Tertiary
The Line 6 KB37 is a versatile browser displays every guitarist’s dream
all-in-one audio interface, 37 note collection of amps and effects. Creating
controller keyboard with on-board classic tones or imaginative hybrids is
amp modelling, that when coupled with
a laptop is a perfect portable studio solu- incredibly fast and easy.
tion.
The KB37 is an excellent choice for a
Comprehensive I/O stand-alone DAW, particularly if port-
The KB37’s comprehensive analogue and ability is desired. It provides all the con-
digital I/O features a ¼ inch instrument nectivity expected in a portable device
input with -10dB pad input for instru- and delivers a great sound.
ments with high gain output, two bal-
anced XLR inputs with high-quality mic VU meters, transport & level controls
preamps with +48V phantom power and
trim knobs, an S/PDIF digital output and ¼ inch The KB37 is compatible with both Windows More details from Music EDnet
analogue outputs. and Mac and includes rock solid ASIO, WDM Ph 1300 723 700
and Mac OSX drivers. The powerful interface
All under control is USB bus-powered, so is free of cumbersome Email: info@musicednet.com
For additional control there are two ¼” footswitch power-packs and this is always an advantage in
jacks that are software-assignable for sending the school environment.
MIDI command to recording software to trigger
start/stop, punch in/out etc. The 1/4 “ expression POD Farm 2
pedal jack can also be software-assigned to control Students studying sound design and other
effects, volume and other MIDI parameters. recording techniques will find the included POD
Farm 2 amp modelling software invaluable
There are various other assignable controls includ- when it comes to recording guitarists. It includes
ing modulation wheel, sound select next/previ- 18 guitar amps, 24 guitar cabinets, 5 bass amps and
ous, five transport buttons for controlling record, cabinets, 29 stomp box and studio effects and 6 mic
playback etc, four buttons and four knobs. preamps. Just drag and drop models into the signal
flow, pre or post amplifier. The carousel-style gear
KORG SR1 Portable Audio Recorder ü Primary
ü Secondary
Unique multi-tracking & musical capabilities ü Tertiary
With the myriad of hand-held compliant, meaning they contain tim- On-board Effects & Rhythms
audio recording devices ing information which result in them Powered by Korg’s proprietary “REMS” modelling
available these days it can aligning correctly in sequence and in technology, the SR1 provides 100 types of effects,
prove difficult to be unique. Korg time. including effects for electric guitar (such as amp
have achieved this in the form of modelling), acoustic guitar, vocals, or any instru-
the SR1, developing a recorder that Unlimited Undo/Redo* ment. The effect can be applied as you record, or
is extremely useful for spontaneous The SR1 allows an unlimited number added to a previously recorded track. In the Master
recording, particularly for guitarists. of undo/redo operations. This is great position, the effect can be applied to the entire
when recording alternate takes of song. The effects are divided into Guitar, Mic,
Sound on Sound a guitar solo or for students when Master and Touch. This last category allows effects
The SR1 Sound on Sound is a handy- trialling different styles and versions to be controlled in real time, using the touchscreen
sized multi-track recorder that lets of riffs and phrases etc. And so you display.
you play back any song that you’ve won’t inadvertently lose any recording
recorded, while continuing to overdub you can set the SR1 to keep all of the The rhythm function is convenient when recording
more tracks. You can continue to “undone” recordings. your phrases and ideas. It can be used as a tempo
overdub as many times as you like, guide or to create a rhythm backing. Fifty rhythms
without having to worry about running Loop and Sound Stretch (each with four variations) cover a broad range of
out of tracks... important if you’re The A/B Loop and Sound Stretch styles. Simply choose a pattern and set the tempo.
trying to record the perfect take of a functions are great features for facili- The touch screen allows you to select one of four
complex musical idea. tating quality practice. A/B Loops allows continu- variations to change the complexity of the pattern.
ous repetition of a defined section of audio – you
Then SR1 saves each of the overdubs separately, can even record while this audio is looping – while Add to this a digital tuner, internal monitor speaker
with each track file saved as an individual WAV the Sound Stretch feature allows you to change the and Korg Audio Utility software (downloadable)
file. This allows each overdub to be loaded as an playback speed without affecting the pitch. This is and you have an excellent hand-held recorder that
individual track into almost any DAW (digital ideal for perfecting difficult riffs and phrases. And will be of great use to any music department.
audio workstation) software program such as Pro Sound Stretch can also be used during recording so
Tools, Cubase, Sonar etc. The individual files are that you can record at a slow speed and then return *Whilst the undo/redo feature is unlimited, it will be limited by the
BWF (Broadcast Wave capacity of the installed microSD/SDHC card.
File) playback to normal
speed. More details from Music EDnet
Ph 1300 723 700
Email: info@musicednet.com